Paul Laurence Dunbar
was born on June 27, 1872 to freed slaves from Kentucky. He became one of the first influential Black poets in American literature, and was internationally acclaimed for his dialectic verse in collections such as Majors and Minors (1895) and Lyrics of Lowly Life (1896).But the dialectic poems constitute only a small portion of Dunbar’s canon, which is replete with novels, short stories, essays, and many poems in standard English. In its entirety, Dunbar’s literary body is regarded as an impressive representation of Black life in turn-of-the-century America. As Dunbar’s friend James Weldon Johnson noted in the preface to his Book of American Poetry: “Paul Laurence Dunbar stands out as the first poet from the Negro race in the United States to show a combined mastery over poetic material and poetic technique, to reveal innate literary distinction in what he wrote, and to maintain a high level of performance. He was the first to rise to a height from which he could take a perspective view of his own race. He was the first to see objectively its humor, its superstitions, its short-comings; the first to feel sympathetically its heart-wounds, its yearnings, its aspirations, and to voice them all in a purely literary form.”
Paul Laurence Dunbar
was born on June 27, 1872 to freed slaves from Kentucky. He became one of the first influential Black poets in American literature, and was internationally acclaimed for his dialectic verse in collections such as Majors and Minors (1895) and Lyrics of Lowly Life (1896).But the dialectic poems constitute only a small portion of Dunbar’s canon, which is replete with novels, short stories, essays, and many poems in standard English. In its entirety, Dunbar’s literary body is regarded as an impressive representation of Black life in turn-of-the-century America. As Dunbar’s friend James Weldon Johnson noted in the preface to his Book of American Poetry: “Paul Laurence Dunbar stands out as the first poet from the Negro race in the United States to show a combined mastery over poetic material and poetic technique, to reveal innate literary distinction in what he wrote, and to maintain a high level of performance. He was the first to rise to a height from which he could take a perspective view of his own race. He was the first to see objectively its humor, its superstitions, its short-comings; the first to feel sympathetically its heart-wounds, its yearnings, its aspirations, and to voice them all in a purely literary form.”
The Nutting Song
The November sun invites me,
And although the chill wind smites me,
I will wander to the woodland
Where the laden trees await;
And with loud and joyful singing
I will set the forest ringing,
As if I were king of Autumn,
And Dame Nature were my mate,--
While the squirrel in his gambols
Fearless round about me ambles,
As if he were bent on showing
In my kingdom he'd a share;
While my warm blood leaps and dashes,
And my eye with freedom flashes,
As my soul drinks deep and deeper
Of the magic in the air.
There's a pleasure found in nutting,
All life's cares and griefs outshutting,
That is fuller far and better
Than what prouder sports impart.
Who could help a carol trilling
As he sees the baskets filling?
Why, the flow of song keeps running
O'er the high walls of the heart
So when I am home returning,
When the sun is lowly burning,
I will once more wake the echoes
With a happy song of praise,--
For the golden sunlight blessing,
And the breezes' soft caressing,
And the precious boon of living
In the sweet November days.
Published in 1893 in “Oak & Ivy”