Lucille Clifton, 2000. ©Mark Linnehan for the AP

Lucille Clifton, 2000. ©Mark Linnehan for the AP

What they call you is one thing. What you answer to is something else.”

”I write from my knowledge not my lack, from my strength not my weakness. I am not interested if anyone knows whether or not I am familiar with big words, I am interested in trying to render big ideas in a simple way. I am interested in being understood not admired.”

”Writing is a way of continuing to hope. Perhaps for me it is a way of remembering I am not alone.

Lucille Clifton (born Thelma Lucille Sayles, in Depew, New York grew up in Buffalo, New York, and graduated from Fosdick-Masten Park High School in 1953. She attended Howard University with a scholarship from 1953 to 1955, leaving to study at the State University of New York at Fredonia (near Buffalo).

In 1958, Lucille Sayles married Fred James Clifton, a professor of philosophy at the University at Buffalo, and a sculptor whose carvings depicted African faces. Lucille and her husband had six children.

In 1966, friend Ishmael Reed took some of Clifton's poems to Langston Hughes, who included them in his anthology The Poetry of the Negro. In 1967, the Cliftons moved to Baltimore, Maryland. Her first poetry collection, Good Times, was published in 1969, and listed by The New York Times as one of the year's ten best books. From 1971 to 1974, Clifton was poet-in-residence at Coppin State College in Baltimore. From 1979 to 1985, she was Poet Laureate of the state of Maryland. From 1982 to 1983, she was visiting writer at the Columbia University School of the Arts and at George Washington University.

From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary's College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College.

Lucille Clifton received a Creative Writing Fellowships from the National Endowment for the Arts, a grant from the Academy of American Poets, the Charity Randall prize, the Jerome J. Shestack Prize from the American Poetry Review, and an Emmy Award. Her children's book Everett Anderson's Good-bye won the 1984 Coretta Scott King Award. In 1988, Clifton became the first author to have two books of poetry named finalists for one year's Pulitzer Prize. She won the 1991/1992 Shelley Memorial Award, the 1996 Lannan Literary Award for Poetry, and for Blessing the Boats: New and Collected Poems 1988–2000, the 2000 National Book Award for Poetry. From 1999 to 2005, she served on the Board of Chancellors of the Academy of American Poets. In 2007, she won the Ruth Lilly Poetry Prize that honors a living U.S. poet whose "lifetime accomplishments warrant extraordinary recognition." Clifton received the Robert Frost Medal for lifetime achievement from the Poetry Society of America.

Ms. Clifton died in Baltimore on February 13, 2010.

Taken from: https://en.wikipedia.org/wiki/Lucille_Clifton


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won’t you celebrate with me 

won't you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

Lucille Clifton, “won't you celebrate with me” from Book of Light. Copyright © 1993 by Lucille Clifton.

 homage to my hips

these hips are big hips
they need space to
move around in.
they don't fit into little
petty places. these hips
are free hips.
they don't like to be held back.
these hips have never been enslaved,
they go where they want to go
they do what they want to do.
these hips are mighty hips.
these hips are magic hips.
i have known them
to put a spell on a man and
spin him like a top!